| 翻訳と辞書 |
| Sonata No. 7 (Scriabin) ： ウィキペディア英語版 |
Piano Sonata No. 7 (Scriabin)
The Piano Sonata No. 7, Op. 64, subtitled ''White Mass'', was written by Alexander Scriabin in 1911. As one of the late piano sonatas of Scriabin's career, the music is highly chromatic and almost atonal.
==Background==
The ''White Mass'' is closely related to its predecessor, the sixth sonata. Both works were written in 1911–12 and have structurally and stylistically more in common than any other pair of Scriabin sonatas.〔(1994), Taub notes, p. 6〕 Scriabin reportedly feared the sixth sonata, considering the work to be corrupted by demonic forces and going so far as to refuse to play the work in public.〔(1997), Ashkenazy notes, p. 6〕 Scriabin composed his seventh sonata as an exorcism against the darkness of the sixth sonata, subtitling the work ''White Mass'' in order to reflect its celestial nature. He intended the mood of the piece to be ecstatic, evoking images of winged flight, voluptuous rapture and overwhelming forces.〔
The composer was especially fond of the piece, probably due to its messianic context and perfected structure, which features more contrast, rhythmic and dynamic, than most of his work.〔 Like the second sonata however, the ''White Mass'' gave him a great deal of trouble during its composition.
The ''White Mass Sonata'' is not structurally directly related to Scriabin's ninth sonata, which was composed in 1912–13 and would later earn the nickname ''Black Mass Sonata''.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
■ウィキペディアで「Piano Sonata No. 7 (Scriabin)」の詳細全文を読む
スポンサード リンク
| 翻訳と辞書 : 翻訳のためのインターネットリソース |
Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.
|
|